A new real world

Shared visions act as forces of innovation, and what designers can do - what we all can do - is imagine some situation or condition that does not yet exist but describe it in sufficient detial that it appears to be a desirable new version of the real world.

-Jack Thackara (here)

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Hire the one who can write

This week  SVA MFA in interaction design had a series of talks at Galapagos Art Space in Brooklyn, New York. In one event, Liz Danzico sought out the advice of digital designers and design collaborators far and wide to ask them to respond to the following:

So you’re thinking about becoming a designer? If I could tell you only one thing about going into the field, my advice would be ___________ .”

Though I’ve tried my hardest, I do not consider myself a designer. I’m still working on it. I’m more of an evaluator of design, a critic of design, and a lover of design. I’ve had a lot of training in design and a lot of training in writing, and most people (designers included) have no idea how much the two overlap. 

Obviously Jim Coudal’s response was my favorite. 

http://www.vimeo.com/5802114

PS - Have I mentioned that I’m looking for a job? ; )


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Meet Theo

Meet Theo

Meet Theo < — Click to watch

Elizabeth recently became the proud owner of a Golden Retriever named Theo. She got him when he was 9 weeks and this video is him at 12 or 13 weeks old.

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Fargo

fargo

I’ll go ahead and admit it: until about a week ago, I’d only seen the made-for-tv version of “Fargo”, the Coens’ robust, witty, and absolutely entertaining satire of the American Mid-West.

Like every other film critic that I’m aware of, I love the Coens and I love Fargo. Set and shot in the snowy Minnesota landscapes, “Fargo” hinges on an unforgettable and extremely quotable performance by Frances McDormand as Marge Gundersen, a kind-hearted, slow-talkin’, pregnant police chief investigating a murder. She’s the type of character crime stories are usually lacking and Fargo wouldn’t work without her.

The other half of the movie belongs to Jerry Lundegaard (William H. Macy), a struggling car salesman in Minneapolis who is so desperate for money that he hires two thugs (Steve Buscemi and Peter Stormare) to kidnap his wife. Jerry plans to collect the ransom from her wealthy father, paying the thugs a small portion and keeping the rest to pay off his debts. The plan collapses when the hired thugs shoot a state trooper and two bystanders in rural Minnesota, drawing Marge to investigate. As the situation further unravels, the movie quickly becomes a cat and mouse game between Chief Gunderson and Jerry Lundegaard.

“Fargo” claims to be all true, but really it is all fiction. However, even the Coens couldn’t make-up a movie about the Upper Midwest – where they both were born – without having a certain amount of reverence for the people and the sincerity of the region. The accents might seem over-the-top, but they’re real. Hardly anyone in the movie is pure evil, and in the end, their decency is what prevents them from getting away with anything.

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Meet Chris

Here is an employee of the month campaign video I made for Chris, my friend and fellow employee. I know it’s rough, but I made the entire thing in less than an hour with only the built-in iSight on my mac. Wouldn’t you vote for him?

http://www.vimeo.com/5723142
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Food, Inc.

food_inc

Be sure not to walk into the theater toting one of those artificially buttered tubs of popcorn from the concession stand. Keep your bottled water at home. Robert Kenner’s documentary “Food, Inc.” is an on-target lesson on the backwards and corrupt American food industry. I don’t think anyone would expect a movie that features Michael Pollan, author of “The Omnivore’s Dilemma” 2006) and Eric Schlosser, who wrote “Fast Food Nation” (2001) to be soft in laying out the facts. However, don’t confuse this film with one that’s against eating meat or against farming. That’s hardly the case here. In one of my favorite scenes, Eric Schlosser eats what he says is his favorite meal: a juicy hamburger and fries. “Food, Inc.” has a clear antagonist, large American food companies such as Smithfield and Monsanto, and also clear protagonists, organic farmers such as Joel Salatin and food activists fighting for better food quality.

The film is divided into chapters dedicated to pointing out flaws in the food system. From the very beginning we learn that food has changed more in the past 50 years than the previous 1,000. We are reminded that there are no seasons in the supermarket, and that most meals are shipped more than 1,500 miles before eaten. If you’ve read either “Fast Food Nation” or “The Omnivore’s Dilemma,” you won’t be surprised by these statistics or the stories about the killing floors. In fact, it’s really a good summary of what the books go into much more detail about. The film touches on topics ranging from the fast-food chains where consumers stuff down industrially produced meat with a side of E. coli, to corn used as a cheap universal feed for chickens, cows, and even for fish, not to mention the corn products that somehow end up in candy, soft drinks, batteries, and almost everything else.

What “Food, Inc.” does really well is presenting the viewer with dozens of other documentaries tucked inside this one. The Orozco family tries buying local food, but finds it cheaper to fill up on fast food. A tearful woman and her mother lobby Congress for stricter food safety policies after her 2-year-old son, Kevin, died from a burger with E. coli. The section on agricultural giant Monsanto is particularly interesting. All of these stories are worthy of their own documentaries.

There are also bits of comedy in this inherently morbid story. Organic farmer Joel Salatin seems completely satisfied slaughtering his chickens outside, the way it was supposed to be done. And his free-ranging livestock seem, well, happy, especially when he talks to them. When an different organic farmer happily tells a Wal-Mart representative that her family has been boycotting Wal-Mart for years, you can’t help laughing.

Bottom line: there’s something horribly wrong with a system in which a bag of chips cost less than a bag of vegetables. Mr. Salatin sums it up well by saying any company who reduces animals to a business of biological and chemical systems will view people the same way. Kenner’s movie is certainly not one that tries to scare people away from eating meat (though it may do so) but rather one that sheds light on the injustices and inconsistencies of our food system.
 (x)

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Who Blogs?

bloggers

(via Arye Dworken)

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Health and Culture

Walking speed absolutely reflects health status,” Simonsick says. “So when you irritatedly blow past a trio of ambling visitors from Ohio or Iowa on the subway platform, you’re not just being an obnoxious New Yorker. You’re demonstrating that you’re going to outlive them—and enjoy better health while they slowly degrade.

Why New Yorkers Last Longer — New York Magazine (via dalas verdugo)

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We are still in the future

 

YouTube Preview Image

A follow-up on my last post We are living in the future, AcrossAir has brought augmented reality and amazing data visualization to New York City with the Nearest Subway App

Luckily, if you live in New York you can use this app for the iPhone 3G and 3GS, though it supposedly works best on the 3GS. Sadly, the app isn’t available yet, and they’re working on versions for London and Barcelona.

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We are living in the future

With the Nearest Tube app, the iPhone has ushered in the age of augmented reality.  This might be the reason I get an iPhone and move to London.

YouTube Preview Image
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